Such is not the case with Ben. Don't Go has an intriguing foundation of grief and guilt, but even those fundamental themes only exist to keep the story moving toward its conclusion. Here's Tenet explained. Just trust me. The screenplay co-written by the director and Ronan Blaney goes off on some interesting tangents. He broods wonderfully, but he lets us see Ben break down as he starts to sense he can change the past and obsesses about how to manage it. Get your short film showcased at the FEEDBACK Film Festival. If you don’t want to watch the video you can instead read the video script in full below. Visually, Don’t Go is an absolute work of art. "100% Halal," a soapy, almost edgy dramedy from Islamic Indonesia, Movie Review: There's little redeeming about "Redemption Day". The main problem, however, is the film's conclusion, which traffics in the sort of twisty reveal that has become all the rage in the post-Sixth Sense era. Ben instantly assumes these clues are from Molly, because she wasn’t much of a speller, and that there’s a reality where she still lives if only he can reason out the mystery. Here are some answers to what the hell happened. It’s the screen actors who pursue the quixotic that I find the most interesting. For David Oyelowo, Don't Let Go has been a study in how to refine a project.The actor — also a producer on the project — plays Det. But their dog knows something is up. That recurrent dream presages other clues –in the oddly ordered arrangement of magazine titles, the words scratched in the sand after a seaside nap. ENTER CITY, STATE OR ZIP CODE GO. Composer: Ferry Corsten (Get Out, after all, didn’t really have “a twist” in the way this movie does, only a reveal that happens before the ending.) Screenwriters: David Gleeson, Ronan Blaney No, he never shaves — not for comedies, villainous turns or grieving fathers. Her college pal, the messed up Serena (Aoibhinn McGinnity) shows up, drunk. I see where things go, and to me, it’s devastating, and it’s terrible, and it’s what the movie’s kind of building to. So of course this article will go into spoilers for the movie so if you haven’t seen the film yet and you do care about spoilers, now is the time to turn off the video. But there are worse things. Costume designer: Grania Preston by Tenet ending explained, and all your questions answered. Finally, Gleeson makes stunning use of the film’s Irish setting. This one, although admittedly clever, feels particularly gimmicky and unearned, undercutting everything that has preceded it without being satisfying on its own terms. It’s almost always the right look for the part. Ennui sets in early in Don’t Go, making you wish it would. In short, the ending of the movie is up to us—and we're right either way. Directed by Christopher Nolan, Interstellar is a fantastic tale of time, space, and love. ... it's going to be a blast to go back to 1989 in the second one. He’ll teach, she’ll supervise the renovation. Don't fall into the "Timetrap", Movie Review: Hanks anchors a Western parable, "News of the World", Movie Review: Neeson narrows his beady eyes as “The Marksman”, Documentary Review: Retirees look for Paradise in Florida’s The Villages — “Some Kind of Heaven”, Netflixable? But is it just a dream? THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC. Don’t Go is a strange mind trip of a psychological thriller, director David Gleeson and co-writer Ronan Blaney conjuring up a decent premise that had me initially questioning what was going on. And don’t expect Father Sean to be much psychological help. Frank Scheck He’s sure it means something. MPAA Rating: unrated, sex, alcohol abuse, pot, profanity, Cast: Stephen Dorff, Melissa George, Aoibhinn McGinnity, Grace Farrell. An IFC Films release. Christopher Nolan's latest time-twisting movie can be mind boggling. And nobody is more all-over-the-road than Stephen Dorff, the rugged, brooding star of half a dozen movies nobody sees in a given year, with just enough high profile work (“Somewhere,” “The Iceman,” “Leatherface”) to keep him in the public eye as “the younger Kiefer Sutherland.”. | Do Not Sell My Personal Information If an actor is going to spend nearly the entire running time of a movie quietly brooding, he better damn well look good doing it. Film reviews and news, everyone's a critic! “I’m a contrary bollocks. A Norwegian "car toon" -- "Asphalt Burning (Børning 3)", Netflixable? YOUTUBE. Or is Ben losing his mind? But if you got a bit lost in the final act of the film, we wouldn’t blame you. The ending of Netflix's new Korean movie, The Call, left many viewers perplexed. – Charles Bukowski. Jung’s deep consciousness. But the narrative feels repetitive and lacking in momentum, not to mention unsubtle. “Don’t Go” is a prime example: a lukewarm puddle of supernatural malarkey with Stephen Dorff as an American writer who thinks he’s getting messages from his late daughter in the afterlife. This is what you need to know about it. The movie features gorgeous landscape shots, … -- "Close Encounters of the Fifth Kind", Netflixable? I was curious myself. “Don’t Go” is an Irish ghost story, more moody than spooky, starring Dorff as a blocked American writer grieving for the daughter he lost months before. Don't Go has promise to be a great thriller, but it lacks the speed, passion and the suspenseful drama any film like this truly requires. Hazel has history here, old beaus. While that could be interpreted as honest and truthful, the final scene (the fantasized orgy) makes me think, he might have been sarcastic with that last remark, and maybe he pretended to be cured to get out of the therapy program. Informed film criticism, against the grain –since 1984. Welcome to the drinking blog with a film problem. And Ben, donning his writer’s uniform (turtleneck, tweed blazer) for his classes at Sacred Heart, starts to pick up on it himself. Movie Review: A Deadly, Panicked Police Shooting, the definition of "Blindfire", Netflixable? Dorff and George play Ben and Hazel, who have retreated to a remote Irish village after the death of their daughter Molly (Grace Farrell). TWITTER There’s this recurring dream he has there, a day when they built a sandcastle with wee Molly (Grace Farrell). Which deepens. Mackie stars in messy “Outside the Wire”, Documentary Review: Horror filmmaker braves the vicissitudes of the “Clapboard Jungle” of making movies today, Movie Preview: Nic Cage is here to “clean” “Willy’s Wonderland”, Action/Adventure Film & Screenplay Festival. If the movie’s ultimate thing is about fear of the unknown—the ultimate unknown is death—I think that’s all over the movie. Don't Go (2018) on IMDb: Movies, TV, Celebs, and more... Mystery movies are my favorite genre so I'm always excited when it's one of those stories with twists and turns but in this case it just fell short. That’s why they put Him on a cross.”. Hearing the words “Seize the day” when he awakens cinches it. Director: David Gleeson If you're new, Subscribe! Be my guest and read his Red Book. Editor: Isobel Stephenson Limerick native co-writer/director David Gleeson (“Cowboys & Angels”) ensures we get lots of local color in the people, the scenery and the school and Irish pub life in this story. | California Privacy Rights Directed by David Gleeson. Fandango FANALERT® Sign up for a FANALERT® to find out when tickets are available in your area. Director of photography: James Mather I googled it but didn’t find any useful answer. So I went to sleep and awoke with this possible interpretation in mind: First, think back to the scene where they were drawing on the back of the artwork at the hotel. Of course it’s never explained in the movie, but I think there are plenty of simple explanations for why this happens: First and foremost, please remember: THEY ARE SWITCHING BODIES. And Dorff wears Ben’s grief and guilt like a tailor-made suit. For the love of a woman, he makes "L'ascension (The Climb)" up Everest, Netflixable? It's not scary but I … I will, with some mystified sadness, credit Don't Let Go with showing me one thing I wouldn't have necessarily expected to see: it turns out that you can assemble a cast that is approximately 50% comprised of David Oyelowo, Alfred Molina, Mykelti Williamson, and Brian Tyree Henry, and still have absolutely nothing worth watching in the finished product. In these moments, Don’t Go is very reminiscent of classic horror. Sort of. I loved We Go On!I got the chance to see it at Fantasia Film Fest this summer and the director (who also did YellowBrickRoad) talked a bit about it. Like the similarly titled classic Don't Look Now, it deals with a couple who travel to an exotic location after the death of a child. That would make any normal person go fucking insane…which makes me think you probably wouldn’t notice that the day you think it is (say, August 22, 2013) isn’t the day it actually is (August 22, 2016). 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